For once in 2020, the stars may be aligned for a quick getaway. This follow-up clearly can’t match that, due to constraints neither can it be deemed a commercial failure, given the circumstances. The original, a delight, took $822m globally in 2017. And there’s certainly a pent-up desire for a comic book extravaganza. WW84 releases online and in cinemas through HBO Max on Christmas Day in the US and in whatever cinemas are open in selected other territories including the UK this weekend. Production values are thin for an action hero spectacular set pieces are sparse for the runtime and the primary villain is played by an actor who is best known for his performance behind the helmet of The Mandalorian. WW84’s pace is baggy, certainly, and the script isn’t sharp enough, but it’s hard not to draw the conclusion that money, or the allocation of it, has also been an issue. Wonder woman 1984 review how to#Wonder Woman learns how to fly, but WW84 never soars Early hopes of Back To The Future, an 80s film whose sequels bucked the trend, give way to a dawning sense of Wonder Woman’s whip endlessly spinning out but never quite connecting. With the best will in the world, and there’s certainly a lot of goodwill out there for director Patty Jenkins, star Gal Gadot, and the kindly, kickass female DC superhero they have created together, Wonder Woman 1984 (or WW84) is a good fit with those times. An an “instalment in a franchise” was called a sequel, and they were snobbily perceived to never be as good as the original. A long time ago, back when this film is set, there were no cinematic universes.
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